Yesterday I was on doctor's orders to be a "lady of leisure" so I went to a matinee of
Stranger than Fiction. I was looking to laugh, and I did, but it's not a guffaw kind of movie. Not just because it's basically a one-joke premise, but because Will Ferrell plays the straight man. Super straight – he's an IRS agent with an uncanny mind for figures and little else. And everyone else plays their part with some seriousness too. Their earnest portrayals are what is most funny in some ways.
So Ferrell's character is hearing a narrator, and the narrator is an angst-ridden chain-smoking author working on a book (played by Emma Thompson). The problem arises when it becomes obvious to Ferrell's character that the author is planning his character's death.
He seeks help from a literary expert played by Dustin Hoffman, and this was the source of one of my favorite scenes. Hoffman comes up with a list of seemingly ludicrous questions for our fictional friend to answer. "Do you have any special powers?" "Was any part of you once part of something else?" etc. After insisting on this totally ridiculous list for a number of questions he then reveals he has just ruled out something like most of the classic Greek stories, most fairy tales, and a good part of Chinese mythology in his effort to figure out what kind of story Ferrell is in.
I think if this movie was a little more complex it would have scored on the order of something like
I [Heart] Huckabees, not
Adaptation. Its unbelievable parts might have just been more expected in the surreal order of things. Like Queen Latifah's author's assistant character was only there to make the author's side of things not all internal so it would work in the film probably, but I didn't buy it. And the beautiful punk waif baker falling for the IRS agent? Yeah, right.
There is a real charm to the movie, though. The main character is a left-brained IRS agent with autistic-like mental powers for rational thought -- particularly numbers. We can see his calculations and counting of things overlaid on the screen. And like many people we know who rely so heavily on their rational sides, this makes him admirably smart And really kind of boring. He's flat and machine-like.
But as his character feels lust/love, some of this eases. As the character interacts socially it eases, as he interacts with his senses, it eases, and as he faces a severe fear of death he starts to live and appreciate and find his soul. Then, he's willing to face death.
When I was watching, the movie ended, the credits seemed about to roll, and then the reel appeared to suddenly end or be ripped out. I actually rather liked that unintentional abruptness as the ending to the
Labels: movies